A visit between Dawn to Dusk! A visit to all three Ranganatha Swamy Temples on the same day between sunrise and sunset! Aren’t you excited right now to go on Triranga Darshan in one day! It is believed a visit to three Sriranganatha Swamy temples between dawn to dusk called “Triranga Darshan”
Bharathiyam was first conceived on March 14, 2000, as a seed idea — long before India’s cultural heritage found a home online. Though the domain was registered on that very day, its deeper blossoming required 25 years of experience, inner churning, and karmic purification.
Moksha Ranganatha Swamy: The Gateway to Liberation
Moksha Ranganatha Swamy: The Gateway to Liberation
Moksha Ranganatha Swamy Temple at Rangasthala (also called Thippenahalli or Dinnehosahalli). Over time, Rangasthala has come to be called a Moksha Sthalam — a place where devotees believe the journey of worship culminates in liberation. Legend, Etymology, and the Path to Moksha The name “Moksha Ranganatha” itself reveals the temple’s spiritual purpose.
The Divine Child Who Blesses Couples with Children
The Divine Child Who Blesses Couples with Children
In the serene village of Dodda Mallur, near Channapatna in Ramanagara district, stands one of the most enchanting temples of Karnataka — the Sri Aprameya Swamy Temple, home to the rare and beloved deity of Ambegalu Krishna, the crawling child form of Lord Sri Krishna.
Deepavali — The Festival of Light and Inner Illumination
Deepavali — The Festival of Light and Inner Illumination
The word Deepavali comes from Sanskrit — Dipa meaning “lamp” and Avali meaning “a row.” Thus, Deepavali means “a row of lights.” But beyond the luminous lamps and joyous celebrations, lies a profound spiritual symbolism
Vedic Stories Sacred Stories of the Vedas – Light from the Dawn of Time The Vedas are not mere scriptures — they are living rivers of wisdom flowing through the ages. Hidden within their hymns and mantras are stories that reveal the origins of creation, the deeds of devas and rishis, and the eternal play of dharma.
Every civilization is born, grows, declines, and often disappears into the pages of history. Yet Bharat, the land sanctified by rishis, rivers, and the rhythm of Sanātana Dharma, stands apart. It is not merely a civilization of the past but a living continuum that has nourished countless generations, adapting to time yet never losing its eternal pulse.
Among the thousands of Vedic hymns, Sri Rudram occupies a place of profound reverence. Found in the Krishna Yajurveda (Taittiriya Samhita, 4th Kanda, 5th Prapathaka), it is a hymn that praises, surrenders to, and seeks blessings from Lord Shiva—the fierce yet compassionate cosmic presence who exists in all directions and within all beings. It is often called the “Namakam–Chamakam”, and together they represent one of the most powerful prayers in the Vedic tradition.
oṃ namo bhagavate rudrāya | namaste rudra manyava utota iṣave namaḥ | namaste astu dhanvane bāhubhyām uta te namaḥ ||
Anuvāka 2
यात्त इषुः शिवतम शिवं बभूव ते धनुः । शिवा शरव्या या तव तया नो रुद्र मृडय ॥ या ते रुद्र शिवा तनूरघोरा-ऽऽपापकाशिनी । तया नस्तनुवा शन्तमया गिरीशन्ताभिचाकशीहि ॥
yātta iṣuḥ śivatama śivaṃ babhūva te dhanuḥ | śivā śaravyā yā tava tayā no rudra mṛḍaya || yā te rudra śivā tanūr aghorā’pāpakāśinī | tayā nas tanuvā śantamayā girīśantābhicākaśīhi ||
प्रमुंच धन्वनस्त्वमुभयोर्ता निर्य्युध्यतम् । याश्च ते हस्त इषवः परा ता भगवो वपा ॥ अव तत्य धनुरहस्त उभे सृष्टीसृजेते । पर ता भगवो वप तस्मान्मे भगवः परि देहि ॥
pramuñca dhanvanas tvamubhayortā niryudyatam | yāś ca te hasta iṣavaḥ parā tā bhagavo vapā || ava tatya dhanur ahasta ubhe sṛṣṭī sṛjete | para tā bhagavo vapa tasmān me bhagavaḥ pari dehi ||
अग्नाविष्णू सविता च मे सोमश्च मे पृथि॒वी च मेऽन्तरिक्षं च मे॒ द्यौश्च मे दिशश्च मे यश्च मे नक्षत्राणि च मे ऋतवश्च मे मासाश्च मे पक्षा॒श्च मेऽहोरात्राणि च मे अग्निश्च मे वायुश्च मे सूर्यश्च मे चन्द्रमाश्च मे नक्षत्राणि च मे॒ विद्युतश्च मे मेघाश्च मे ऋतवश्च मे हव्यकव्यम् च मे ॥
agnāviṣṇū savitā ca me somaś ca me pṛthivī ca me’ntarikṣaṃ ca me dyaus ca me | diśaś ca me yaś ca me nakṣatrāṇi ca me | ṛtavaś ca me māsāś ca me pakṣāś ca me’horātrāṇi ca me | agniś ca me vāyuś ca me sūryaś ca me candramāś ca me | nakṣatrāṇi ca me vidyutaś ca me meghāś ca me | ṛtavaś ca me havyakavyam ca me ||
Anuvāka 2
अन्नं च मे पानीयं च मे पशवश्च मे प्रजाश्च मे रयिश्च मे रयिपतिश्च मे वाचश्च मे श्रुतं च मे ज्योतिश्च मे सुखं च मे प्रजाच्च मे प्रजान्तिश्च मे ॥
annaṃ ca me pānīyaṃ ca me paśavaś ca me prajāś ca me rayiś ca me rayipatiś ca me | vācaś ca me śrutaṃ ca me jyotiś ca me | sukhaṃ ca me prajācc ca me prajān tiś ca me ||
Anuvāka 3
श्रीश्च मे मयश्च मे प्राणश्च मेऽपानश्च मे व्यानश्च मे चक्षुश्च मे श्रोत्रं च मे मनो मे वाक्च मे आत्मा च मे परमं च मेऽधितिष्ठन्तु ॥
śrīś ca me mayaś ca me prāṇaś ca me’pānaś ca me | vyānaś ca me cakṣuś ca me śrotraṃ ca me | mano me vāk ca me ātmā ca me | paramaṃ ca me’dhitiṣṭhantu ||
Anuvāka 4
ऋक्साम यजुंश्च मे दीक्षाश्च मे यज्ञश्च मे दक्षिणा च मे व्रतं च मे होमश्च मे स्वधाश्च मे स्वाहाश्च मे ॥
ṛk sāma yajuṃś ca me | dīkṣāś ca me yajñaś ca me dakṣiṇā ca me | vrataṃ ca me homaś ca me svadhāś ca me svāhāś ca me ||
Anuvāka 5
इष्टं च मे हुतं च मे सुप्रजास्त्वं च मे सुपशुत्वं च मे बहु च मे भद्रं च मे रयिश्च मे रयिपतिश्च मे ॥
IAST: iṣṭaṃ ca me hutaṃ ca me | suprajāstvam ca me supaśutvam ca me | bahu ca me bhadraṃ ca me | rayiś ca me rayipatiś ca me ||
Anuvāka 6
गृह्णन्तु च मे ग्रामश्च मे नगरं च मे वीर्यं च मे बलं च मे ऊर्जं च मे साहो च मे ॥
gṛhṇantu ca me | grāmaś ca me nagaraṃ ca me | vīryaṃ ca me balaṃ ca me | ūrjaṃ ca me saho ca me ||
Anuvāka 7
प्रजापतिश्च मे विश्वेदेवा च मे धर्मश्च मे सत्यं च मे श्रद्धा च मे योगश्च मे ॥
prajāpatiś ca me | viśvedevā ca me | dharmaś ca me satyaṃ ca me | śraddhā ca me yogaś ca me ||
Anuvāka 8
क्षत्रं च मे जनपदश्च मे सुखं च मे घोषश्च मे व्रजनं च मे सञ्ज्ञानं च मे सुप्रतिष्ठितं च मे ॥
kṣatraṃ ca me janapadaś ca me | sukhaṃ ca me ghoṣaś ca me | vrajanaṃ ca me sañjñānaṃ ca me | supratiṣṭhitaṃ ca me ||
Anuvāka 9
विष्णुश्च मे रुद्रश्च मे इन्द्रश्च मे अग्निश्च मे वरुणश्च मे वायुश्च मे सोमश्च मे मरुतश्च मे ॥
viṣṇuś ca me rudraś ca me | indraś ca me agniś ca me | varuṇaś ca me vāyuś ca me | somaś ca me marutaś ca me ||
Anuvāka 10
आयुश्च मे जरित्रं च मे श्रीम च मे यशश्च मे भागश्च मे द्रविणं च मे यन्ता च मे धर्ता च मे ॥
āyuś ca me jaritraṃ ca me | śrīma ca me yaśaś ca me | bhāgaś ca me draviṇaṃ ca me | yantā ca me dhartā ca me ||
Anuvāka 11 (Phala Śruti)
अन्नं च मेऽन्नपतिश्च मे गृह्णन्तु च मे गृहीपतिश्च मे बहु च मे भवतु धनं च मे विश्वं च मे महत्त्वं च मे ॥
annaṃ ca me’nnapatiś ca me | gṛhṇantu ca me gṛhipatiś ca me | bahu ca me bhavatu dhanaṃ ca me | viśvaṃ ca me mahatvaṃ ca me ||
Structure of Sri Rudram
Sri Rudram has two main parts:
Namakam (11 Anuvākas):
Named because each stanza ends with “Namah” (salutations).
It addresses Rudra as present in every form—in forests, rivers, mountains, animals, people, even in weapons and storms.
The devotee bows to all manifestations of Rudra, recognizing divinity everywhere.
Chamakam (11 Anuvākas):
Named for the repeated use of “Cha Me” (and to me).
It is a prayer requesting divine blessings—strength, health, wealth, knowledge, progeny, spiritual wisdom, and liberation.
It teaches that both worldly and spiritual needs can be sought from Shiva.
The Meaning of Sri Rudram
Sri Rudram is not only an invocation—it is a recognition that:
Shiva is everywhere: In the fierce hunter, in the gentle healer, in trees, rivers, animals, and human society.
Duality dissolves: Rudra is both destroyer and protector, terrifying and compassionate, transcendent and immanent.
Surrender is essential: By bowing (Namah) to everything, we align our limited self with the infinite.
Key Themes
Universal Omnipresence: Rudra pervades all—seen and unseen, auspicious and inauspicious.
Pacification: The hymn asks Rudra to turn his fierce arrows into blessings, protecting humanity.
Balance of Worldly and Spiritual Desires: Chamakam does not reject worldly life; it sanctifies it, showing how dharmic prosperity and moksha go hand in hand.
Collective Upliftment: Reciting Rudram is considered beneficial not just for the chanter but for the entire community and environment.
Ritual & Practice
Chanting: Traditionally recited during Rudra Abhishekam, where Lord Shiva’s linga is bathed with water, milk, honey, ghee, and other sacred offerings.
Time: Mondays, Pradosha Kāla, Maha Shivaratri, and eclipses are considered especially powerful.
Group Recitation: Multiple chanters together create a resonant vibration believed to purify the atmosphere and bring peace.
Benefits of Reciting Sri Rudram
Spiritual Awakening: Aligns the mind with the all-pervasive Shiva, leading to realization of oneness.
Healing Energy: The vibrations of the chant are said to harmonize body and mind.
Removal of Obstacles: Invoking Shiva pacifies karmic blockages and grants protection.
Environmental Harmony: Ancient tradition holds that collective chanting can bring rain, fertility to the land, and balance to nature.
Philosophical Depth
Sri Rudram reflects the heart of Vedic non-dualism (Advaita). By saluting Rudra in every aspect of creation, it dissolves the distinction between sacred and profane. Every being, every action, every phenomenon is recognized as the play of Shiva.
In this way, Sri Rudram is not only a hymn of praise but also a profound meditation on reality itself.
Closing Thought
Sri Rudram is more than a chant—it is a spiritual journey. The Namakam teaches humility and surrender by bowing to Shiva in all directions, while the Chamakam shows the right way to seek both material and spiritual fulfillment. Together, they remind us that life itself is a field of worship, and every breath can be an offering to the Divine.
“He who is fierce as Rudra is also gentle as Shiva—the destroyer of darkness, the protector of truth, and the light within us all.”
“When you are born with a question in your soul, the answer becomes your life’s work.”
Venkatesham is the founder and guiding spirit behind Bharathiyam — a digital dharmic initiative dedicated to reviving, preserving, and sharing the timeless soul-wisdom of Bharat.
Born into a traditional family rooted in simplicity, reverence, and moral strength, his life bridges two worlds — the outer world of technology and digital communication, and the inner world of silence, reflection, and spiritual seeking.
The articles and essays featured on Bharathiyam are not recent creations, but part of a lifelong body of work that began more than two decades ago. Many of them were originally written between 2000 and 2020, stored quietly as Word documents — reflections, insights, and learnings collected through years of sādhanā, study, and service. These writings are now being published in their original spirit, dated according to when they were first composed.
Alongside Bharathiyam, he continues to nurture two interconnected literary trilogies exploring dharma, family, and the soul’s journey — expressions of the same inner quest that began long ago and continues to unfold through his work and life.